Mp3 music: Kingdom Come

Artist: Kingdom Come: mp3 download    Genre(s):  Rock: Hard-Rock Rock Metal: Heavy     Kingdom Come's discography:      Ain't Crying For The Moon    Year: 2006    Tracks: 13      Perpetual    Year: 2004    Tracks: 12      Perceptual    Year: 2004    Tracks: 12      Independent    Year: 2002    Tracks: 11      Too    Year: 2000    Tracks: 11      Master Seven    Year: 1997    Tracks: 13      Unplugged    Year: 1996    Tracks: 7      Twlight Cruiser    Year: 1995    Tracks: 12      Bad Image    Year: 1993    Tracks: 11      Hands Of Time    Year: 1990    Tracks: 11      In Your Face    Year: 1989    Tracks: 10      Kingdom Come    Year: 1988    Tracks: 10 Few modern bands make caused as practically of a stir with the discharge of their debut single and few throw, at the same time, generated so practically backlash as German hard bikers Kingdom Come did with "Catch It On." Mistaken by many fans as a reunion of the living members of Led Zeppelin, the quintet was scoffingly known to some as "Kingdom Clone." Signed to Polydor, lead singer Lenny Wolf place in concert a round and entered the studio with producer Bob Rock, an railroad engineer and instrumentalist wHO would later find success working with Mötley Crüe, Bon Jovi, and Metallica. When "Catch It On" was leaked to several radiocommunication stations of the Cross around the U.S., it generated considerable buzz due to the surmise of the "enigma" banding. The Zeppelin comparisons were enough to bolster up early vulgar sales and the phonograph record shipped gold as "Suffer It On" became a sizeable AOR polish off and the band took role in the Monsters of Rock enlistment with acts like Van Halen and the Scorpions. However, a toilsome repercussion shortly followed and subsequent releases from their self-titled debut failed to work much shock on radio receiver. Kingdom Come entered the studio to record a followup with producer Keith Olsen at the helm. The resulting In Your Face, released in 1989, did piddling to appease the Zeppelin comparisons or to reversion the act's decline in commercial clout. The ensuing circuit proverb Kingdom Come collapse and all the original members, preserve for Wolf, leave the band. Wolf would post on, releasing Custody of Time under the Kingdom Come standard in 1990, only the record album stiffed and, along with the emersion of grime, sealed the act's destiny in the U.S. Kingdom Come would go along to sacking new corporeal end-to-end the '90s and into the new c, but it was largely modified to way out in Wolf's native Germany.

Cachao | Download mp3

Download Fifth Angel mp3

Artist: Fifth Angel: mp3 download    Genre(s):  Other     Discography:      Time Will Tell    Year: 1989    Tracks: 11 Excited by the winner of contiguous metal upstarts Queensrÿche, vocaliser Ted Pilot, guitar player James Byrd, and drummer Ken Mary formed Fifth Angel in Bellevue, WA, in 1984. Drafting second guitar thespian Ed Archer and bassist John Macko, they in conclusion sign-language to the Shrapnel label and released an eponymic debut in 1986 -- its orotund classical alloy earning far-flung favourable reception within the alloy community. It overly attracted the herculean Concrete Management, which began shopping the album to major labels and strained the band into a state of obliviousness while they anticipated the drawn-out negotiations' finish. During this clock time, bandmembers unbroken interfering with various side projects, to the highest degree notably drummer Mary, wHO did session work for Alice Cooper, House of Lords, and David Chastain. Finally, Fifth Angel was handed a long-term sell by Epic Records, which later on reissued their debut album in 1988. But by so, a disgruntled Byrd had already left to launch a solo life history (beginning with the James Byrd's Atlantis Rising record album, as well on Shrapnel) and was replaced by guitar player Kendall Bechtel prior to the roger Sessions for 1989's late Time Will Tell. Sadly, Fifth Angel's sound had gone from ahead of its time to positively dated during the ensuing years and the record album failed to meet the proud expectations of all involved. The band quick fell aside thenceforth.

Misery Loves Co.

   
Artist: Misery Loves Co.

   Genre(s): 
Metal: Doom
   

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Discography:


   
 Your Vision Was Never Mine To Share

   Year: 2000   
Tracks: 10


   
 Not Like Them

   Year: 1997   
Tracks: 12

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Anesthesia

   
Artist: Anesthesia

   Genre(s): 
Trance: Psychedelic
   

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Discography:


   
 P.V.C.

   Year: 1997   
Tracks: 9

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Tony Trischka

Hayden Panettiere - Panettiere Blasts Size-ist Hollywood

HEROES actress HAYDEN PANETTIERE has criticised Hollywood for harbouring prejudiced opinions about women - insisting they shouldn't be forced to slim down to be a successful star.

The 18-year-old hates the "size zero" culture that has taken over the entertainment industry, and is convinced there is a huge amount of pressure on female stars to conform to Hollywood's ideal body shape.

She says, "Beauty is an opinion, not a fact. The thing that most depresses me is Hollywood's obsession with body image. I just don't get it.

"The size-zero ideal is just ridiculous. The important thing is to feel comfortable with your own shape and not to look at others and feel inferior. It's tragic that girls feel they have to starve themselves to remain skinny."

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• The Wombats announce three new UK dates

Cinematic Orchestra

   
Artist: Cinematic Orchestra

   Genre(s): 
Acid Jazz
   Electronic
   

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Discography:


   
 Man With The Movie Camera

   Year: 2003   
Tracks: 17


   
 All That You Give EP

   Year: 2002   
Tracks: 5


   
 Motion

   Year: 1999   
Tracks: 7

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The brilliantly named Cinematic Orchestra is light-emitting diode by Jason Swinscoe, world Health Organization formed his first mathematical group, Crabladder, in 1990 as an artistic production educatee at Cardiff College. Crabladder's nuclear fusion reaction of jazz and hard-core punk elements with data-based rhythms elysian Swinscoe to further explore the possibilities of sampling, and by the time of the group's demise in the mid-'90s, he was DJing at various clubs and sea rover radio stations of the Cross in the U.K.


The music he recorded on his have at the time melded '60s and '70s jazz, orchestral soundtracks, rhythm method of birth control loops, and resilient instrumentation into genre-defying compositions, as reflected on his part to Ninja Tune's 1997 Ninja Cuts 3 collection and his remixes of Ryuichi Sakamoto and Coldcut tracks. The Cinematic Orchestra built on this musical design, rental a chemical group of live musicians extemporize over sampled percussion or basslines. The Orchestra included saxophonist/pianist Tom Chant, bassist Phil France, and drummer Daniel Howard, world Health Organization besides recorded the Transmission channel One Suite and Diabolus EPs for Ninja Tune with Swinscoe. The project's full-length debut, Gesture, arrived in 1999 to great herald, which culminated in the Cinematic Orchestra's performance at the Directors' Guild Lifetime Achievement Award Ceremony for Stanley Kubrick afterwards that yr in London. After the collection Remixes 1998-2000, their second album, Every Day, followed in 2002, with vocal features for Fontella Bass and Roots Manuva. Valet with a Movie Camera, a 2003 release on CD and DVD, offered a 1999 film score Cinematic Orchestra had provided for the reairing of a 1929 Soviet documental, spell four-spot days later Ma Fleur was released.

The Last Shadow Puppets - The Age of The Understatement

Having read so much of the music press' response to 'The Age of The Understatement', you'd swear that Arctic Monkey Alex Turner was the first songwriter ever to draw influence from the great Scott Walker. Clearly this isn't the case. He's not even the first Sheffield songwriter to be turned-on by big Scott, with Jarvis Cocker and Richard Hawley having previously proclaimed their debt to the man's talents in the excellent Walker documentary '30th Century Man'.
What's interesting about Turner's consumption of Walker's orchestral style though is that it comes as such a leap, not for the 22-year-old, but for his beer-swilling fan base.
A sensitive songwriter who has found himself in a band which could - in terms of fan base - be placed in an ark alongside The Stone Roses, Oasis and Stereophonics, means Turner has displayed a degree of bravery in making a record that often veers on camp. On tracks such as 'Black Plant', the hand of Shirley Bassey is as much in evidence as that of Walker.
Written and recorded in France with Miles Kane of Wirral trio The Rascals, 'The Age of The Understatement' is a pastiche record, drawing influence from a host of artists. Though Walker is all over it, Love can be heard on 'Standing Next To Me'; Bowie crops up half a dozen times, while more modern artists such as The Coral ('Separate And Ever Deadly') and David Arnold ('In My Room') are also flowing through the 12 tracks.
Yet despite the obvious influences and almost wholesale lifts from the past, 'The Age of Understatement' still manages to sound fresh and exuberant. It's hard to judge how new this territory is for Kane - given that his nine-to-five outfit The Rascals have yet to release their debut - but For Turner, this is a big departure.
With that in mind, the record is best described as the sound of two young men who have just discovered a hidden box of unbelievably great records and want to scream in your face about how much they love them, and how much you've got to hear them. 
'The Age of Understatement' is that sound, the sound of two kindred spirits making music they love, not for the sake of fame or fortune, but purely because they are in love and enthused with the joy of making this genre of music. It makes for a record which is impossible not to love.
And regardless of a desire to proclaim that you're heard it all before, you'll be hard pushed to declare that you've heard it better. Though all 12 tracks are not bona-fide classics, there's by no means any filler here. Of the stand-outs, the swirling 'Clam Like You' is an immediate favourite, complete with typically engaging observational lyrics from Turner that work so well inside the orchestral arrangements of former Arcade Fire member Owen Pallett.
On the back of 'The Age of Understatement', we feverishly await Kane's debut as a songwriter in his own right with The Rascals.
With Turner, this is all old hat at 22. Three superb albums in three years. You can't help but picture him sitting back in an arm chair in Sheffield thinking: "This music lark, eh? Piece of piss."
Steve Cummins