Mp3 music: Kingdom Come

Artist: Kingdom Come: mp3 download    Genre(s):  Rock: Hard-Rock Rock Metal: Heavy     Kingdom Come's discography:      Ain't Crying For The Moon    Year: 2006    Tracks: 13      Perpetual    Year: 2004    Tracks: 12      Perceptual    Year: 2004    Tracks: 12      Independent    Year: 2002    Tracks: 11      Too    Year: 2000    Tracks: 11      Master Seven    Year: 1997    Tracks: 13      Unplugged    Year: 1996    Tracks: 7      Twlight Cruiser    Year: 1995    Tracks: 12      Bad Image    Year: 1993    Tracks: 11      Hands Of Time    Year: 1990    Tracks: 11      In Your Face    Year: 1989    Tracks: 10      Kingdom Come    Year: 1988    Tracks: 10 Few modern bands make caused as practically of a stir with the discharge of their debut single and few throw, at the same time, generated so practically backlash as German hard bikers Kingdom Come did with "Catch It On." Mistaken by many fans as a reunion of the living members of Led Zeppelin, the quintet was scoffingly known to some as "Kingdom Clone." Signed to Polydor, lead singer Lenny Wolf place in concert a round and entered the studio with producer Bob Rock, an railroad engineer and instrumentalist wHO would later find success working with Mötley Crüe, Bon Jovi, and Metallica. When "Catch It On" was leaked to several radiocommunication stations of the Cross around the U.S., it generated considerable buzz due to the surmise of the "enigma" banding. The Zeppelin comparisons were enough to bolster up early vulgar sales and the phonograph record shipped gold as "Suffer It On" became a sizeable AOR polish off and the band took role in the Monsters of Rock enlistment with acts like Van Halen and the Scorpions. However, a toilsome repercussion shortly followed and subsequent releases from their self-titled debut failed to work much shock on radio receiver. Kingdom Come entered the studio to record a followup with producer Keith Olsen at the helm. The resulting In Your Face, released in 1989, did piddling to appease the Zeppelin comparisons or to reversion the act's decline in commercial clout. The ensuing circuit proverb Kingdom Come collapse and all the original members, preserve for Wolf, leave the band. Wolf would post on, releasing Custody of Time under the Kingdom Come standard in 1990, only the record album stiffed and, along with the emersion of grime, sealed the act's destiny in the U.S. Kingdom Come would go along to sacking new corporeal end-to-end the '90s and into the new c, but it was largely modified to way out in Wolf's native Germany.

Cachao | Download mp3

Download Fifth Angel mp3

Artist: Fifth Angel: mp3 download    Genre(s):  Other     Discography:      Time Will Tell    Year: 1989    Tracks: 11 Excited by the winner of contiguous metal upstarts Queensrÿche, vocaliser Ted Pilot, guitar player James Byrd, and drummer Ken Mary formed Fifth Angel in Bellevue, WA, in 1984. Drafting second guitar thespian Ed Archer and bassist John Macko, they in conclusion sign-language to the Shrapnel label and released an eponymic debut in 1986 -- its orotund classical alloy earning far-flung favourable reception within the alloy community. It overly attracted the herculean Concrete Management, which began shopping the album to major labels and strained the band into a state of obliviousness while they anticipated the drawn-out negotiations' finish. During this clock time, bandmembers unbroken interfering with various side projects, to the highest degree notably drummer Mary, wHO did session work for Alice Cooper, House of Lords, and David Chastain. Finally, Fifth Angel was handed a long-term sell by Epic Records, which later on reissued their debut album in 1988. But by so, a disgruntled Byrd had already left to launch a solo life history (beginning with the James Byrd's Atlantis Rising record album, as well on Shrapnel) and was replaced by guitar player Kendall Bechtel prior to the roger Sessions for 1989's late Time Will Tell. Sadly, Fifth Angel's sound had gone from ahead of its time to positively dated during the ensuing years and the record album failed to meet the proud expectations of all involved. The band quick fell aside thenceforth.

Misery Loves Co.

   
Artist: Misery Loves Co.

   Genre(s): 
Metal: Doom
   

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Discography:


   
 Your Vision Was Never Mine To Share

   Year: 2000   
Tracks: 10


   
 Not Like Them

   Year: 1997   
Tracks: 12

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Anesthesia

   
Artist: Anesthesia

   Genre(s): 
Trance: Psychedelic
   

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Discography:


   
 P.V.C.

   Year: 1997   
Tracks: 9

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Tony Trischka

Hayden Panettiere - Panettiere Blasts Size-ist Hollywood

HEROES actress HAYDEN PANETTIERE has criticised Hollywood for harbouring prejudiced opinions about women - insisting they shouldn't be forced to slim down to be a successful star.

The 18-year-old hates the "size zero" culture that has taken over the entertainment industry, and is convinced there is a huge amount of pressure on female stars to conform to Hollywood's ideal body shape.

She says, "Beauty is an opinion, not a fact. The thing that most depresses me is Hollywood's obsession with body image. I just don't get it.

"The size-zero ideal is just ridiculous. The important thing is to feel comfortable with your own shape and not to look at others and feel inferior. It's tragic that girls feel they have to starve themselves to remain skinny."

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Cinematic Orchestra

   
Artist: Cinematic Orchestra

   Genre(s): 
Acid Jazz
   Electronic
   

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Discography:


   
 Man With The Movie Camera

   Year: 2003   
Tracks: 17


   
 All That You Give EP

   Year: 2002   
Tracks: 5


   
 Motion

   Year: 1999   
Tracks: 7

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The brilliantly named Cinematic Orchestra is light-emitting diode by Jason Swinscoe, world Health Organization formed his first mathematical group, Crabladder, in 1990 as an artistic production educatee at Cardiff College. Crabladder's nuclear fusion reaction of jazz and hard-core punk elements with data-based rhythms elysian Swinscoe to further explore the possibilities of sampling, and by the time of the group's demise in the mid-'90s, he was DJing at various clubs and sea rover radio stations of the Cross in the U.K.


The music he recorded on his have at the time melded '60s and '70s jazz, orchestral soundtracks, rhythm method of birth control loops, and resilient instrumentation into genre-defying compositions, as reflected on his part to Ninja Tune's 1997 Ninja Cuts 3 collection and his remixes of Ryuichi Sakamoto and Coldcut tracks. The Cinematic Orchestra built on this musical design, rental a chemical group of live musicians extemporize over sampled percussion or basslines. The Orchestra included saxophonist/pianist Tom Chant, bassist Phil France, and drummer Daniel Howard, world Health Organization besides recorded the Transmission channel One Suite and Diabolus EPs for Ninja Tune with Swinscoe. The project's full-length debut, Gesture, arrived in 1999 to great herald, which culminated in the Cinematic Orchestra's performance at the Directors' Guild Lifetime Achievement Award Ceremony for Stanley Kubrick afterwards that yr in London. After the collection Remixes 1998-2000, their second album, Every Day, followed in 2002, with vocal features for Fontella Bass and Roots Manuva. Valet with a Movie Camera, a 2003 release on CD and DVD, offered a 1999 film score Cinematic Orchestra had provided for the reairing of a 1929 Soviet documental, spell four-spot days later Ma Fleur was released.

The Last Shadow Puppets - The Age of The Understatement

Having read so much of the music press' response to 'The Age of The Understatement', you'd swear that Arctic Monkey Alex Turner was the first songwriter ever to draw influence from the great Scott Walker. Clearly this isn't the case. He's not even the first Sheffield songwriter to be turned-on by big Scott, with Jarvis Cocker and Richard Hawley having previously proclaimed their debt to the man's talents in the excellent Walker documentary '30th Century Man'.
What's interesting about Turner's consumption of Walker's orchestral style though is that it comes as such a leap, not for the 22-year-old, but for his beer-swilling fan base.
A sensitive songwriter who has found himself in a band which could - in terms of fan base - be placed in an ark alongside The Stone Roses, Oasis and Stereophonics, means Turner has displayed a degree of bravery in making a record that often veers on camp. On tracks such as 'Black Plant', the hand of Shirley Bassey is as much in evidence as that of Walker.
Written and recorded in France with Miles Kane of Wirral trio The Rascals, 'The Age of The Understatement' is a pastiche record, drawing influence from a host of artists. Though Walker is all over it, Love can be heard on 'Standing Next To Me'; Bowie crops up half a dozen times, while more modern artists such as The Coral ('Separate And Ever Deadly') and David Arnold ('In My Room') are also flowing through the 12 tracks.
Yet despite the obvious influences and almost wholesale lifts from the past, 'The Age of Understatement' still manages to sound fresh and exuberant. It's hard to judge how new this territory is for Kane - given that his nine-to-five outfit The Rascals have yet to release their debut - but For Turner, this is a big departure.
With that in mind, the record is best described as the sound of two young men who have just discovered a hidden box of unbelievably great records and want to scream in your face about how much they love them, and how much you've got to hear them. 
'The Age of Understatement' is that sound, the sound of two kindred spirits making music they love, not for the sake of fame or fortune, but purely because they are in love and enthused with the joy of making this genre of music. It makes for a record which is impossible not to love.
And regardless of a desire to proclaim that you're heard it all before, you'll be hard pushed to declare that you've heard it better. Though all 12 tracks are not bona-fide classics, there's by no means any filler here. Of the stand-outs, the swirling 'Clam Like You' is an immediate favourite, complete with typically engaging observational lyrics from Turner that work so well inside the orchestral arrangements of former Arcade Fire member Owen Pallett.
On the back of 'The Age of Understatement', we feverishly await Kane's debut as a songwriter in his own right with The Rascals.
With Turner, this is all old hat at 22. Three superb albums in three years. You can't help but picture him sitting back in an arm chair in Sheffield thinking: "This music lark, eh? Piece of piss."
Steve Cummins

Chloe Agnew

   
Artist: Chloe Agnew

   Genre(s): 
New Age
   

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Discography:


   
 Chloe

   Year: 2004   
Tracks: 12

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Dennis Quaid - Quaid Campaigns For Patients Rights

Actor DENNIS QUAID is calling on the U.S. government to preserve patients' rights to sue drugmakers for injuries.

The actor's twin babies had to fight for their lives last year (Nov07) when they were mistakenly given a near-fatal overdose of blood thinner Heparin, and Quaid insists the mishap could have been avoided if there was a better system of marking medicines.

California regulators fined hospital bosses $25,000 (GBP12,500) after concluding the failure of staff at Los Angeles' Cedars-Sinai Medical Center to follow their own procedures resulted in incorrect doses of the drug being administered to Quaid's infants and other children.

Quaid and his wife Kimberly Buffington have sued Baxter International Inc, the maker of the blood-thinning drug given to his twins

On Wednesday (14May08), Quaid said victims of harm from medicines should be able to seek damages from manufacturers in state courts.

He says, "I believe if preemption of lawsuits is allowed to prevail, it will basically make all of us, the public, uninformed and uncompensated lab rats."

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River Ridge band The Vettes 'Give Em What They Want'

As a music business major and aspiring star, the singer who would be Rachel Vette prowled the Loyola University campus in search of like-minded musicians. Instead, she found them under her own roof. Her brothers staffed a band called the...

Hector el Father

   
Artist: Hector el Father

   Genre(s): 
Rap: Hip-Hop
   Reggae
   

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Discography:


   
 The Bad Boy

   Year: 2006   
Tracks: 18


   
 Sangre Nueva

   Year: 2006   
Tracks: 22


   
 Gold Star Music

   Year:    
Tracks: 22

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One of the pioneers of reggaeton, Hector el Father (aka Hector "El Bambino") was half of the trailblazing twain Hector & Tito (aka Los Bambinos) before he embarked on a solo life history of his have. Hector (born Héctor Delgado Román) began his solo vocation with a twin of CD mixtapes, Los Anormales (2005) and Los Rompe Discotekas (2006). The latter was a particularly curious release, for it was issued by Roc la Familia, a freshly inaugurated Latino air division of The Island Def Jam Music Group, lED at the time by whang legend Jay-Z, wHO reportedly took a keen interest in reggaeton. Jay-Z even collaborated with Hector, albeit instead lazily, on the album's pencil lead individual, "Here We Go Yo." Though the Def Jam episode garnered Hector a lot of attention, he enjoyed much more succeeder with his proper solo debut, The Bad Boy (2007). The Machete Music release featured a number one single, "Sola," which was far and away his biggest hit to date.

Fascinating Fact 5284

DJ MARK RONSON is set to support JAY-Z on his U.K. arena tour in July this year (08). The pair will also appear together at London's O2 Wireless festival the on 3 July.

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• Winehouse, Winfrey confirmed for Mandela celebrations

Maori music scene not heard on commercial radio stations

Language exponents say that in New Zealand Music Month, commercial radio stations deserve a tune up for not playing more music in Maori.Some such as composer Tihi Puanaki, who is leading the campaign for more airtime, are calling for a compulsory te reo Maori quota."Its invisibility creates a perception of this whole genre lacking in status."There is fantastic work being produced by Maori musicians that is not receiving the support it should be."While she understood that commercial radio had an imperative to make money, there was still a "moral responsibility" to help to revitalise an official language which was still at risk.She said the campaign was not about "ramming" music down people's throats - an organised rally in Christchurch today would be as much about highlighting the issue as about celebrating good music."It's a big rage, really. We actually want to share this with the whole of Aotearoa because they're missing out. There is some fantastic music out there."




Asked if the music should stand on its own merits, Ms Puanaki said it should."But we're not hearing Maori medium music. We want our kids to get hooked, but they're hearing nothing on commercial stations."New Zealand Music Month manager Steve Newall said it had been a long time since Dalvanius Prime and Ngoi Pewhairangi's 1984 number one, Poi E.But the quota debate for New Zealand music not new - politicians had called for a compulsory regime before radio decided to voluntarily aim for targets.Over the past few years, local content had consistently hit 20 per cent.He said formatting was the issue which plagued not only te reo artists but English-language artists at the "margins" who did not tick boxes of what stations thought would be successful.Classic rock station Radio Hauraki was a good example."They have a very well-defined idea - they will only play music that fits their format. That's the first obstacle. That's the reality of commercial radio."There's a lot of people for whom it's actually not going to happen."He said it would be "patronising" for a proportion of airtime to be put aside solely for te reo Maori music.One of country's most successful Maori contemporary artists, Moana Maniapoto, remembers hearing that her songs could not be played commercially because a particular station did not play "a foreign language".What the "vague" formatting argument boiled down to was that some stations thought people would switch off if te reo songs were played on mainstream stations, she said."It's only in New Zealand there's a hang-up - I suppose that's political baggage."It's not all bad. I think more and more people are responding to the Maori language, they're feeling less threatened, it's probably time for radio to reflect that."And there were plenty of Maori artists, such as Whirimako Black, Hinewehi Mohi and Ruia Aperahama, who worked across musical genres who could slot in to playlists.HEARD THIS ONE? Current music in te reo includes* Ruia Aperahama - Arohaina ra koe.* Hinewehi Mohi - Kotahitanga.* Aaria - Kei a wai ra te kupu.* Te Huaki Puanaki - Taiohi Maori.

Vaughan Brothers

   
Artist: Vaughan Brothers

   Genre(s): 
Rock
   

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Discography:


   
 Family Style

   Year: 1990   
Tracks: 10

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Sibling blues guitarists Jimmie Vaughan (innate in 1951) and Stevie Ray Vaughan (1954-1990) were innate and raised in Dallas, TX. Each began acting guitar during childhood, Stevie Ray inspired to take up the instrument by his old brother. Jimmie Vaughan played in various groups in Dallas and Austin before hooking up with singer/harmonica player Kim Wilson and forming the Fabulous Thunderbirds in 1974. The group was signed to Chrysalis Records, for which they made little Joe albums, starting with a self-titled 1979 debut. The moment and tierce of them, What's the Word (1980) and Butt Rockin' (1981), made the lour reaches of the charts, but the ring was dropped by the label after the commercial failure of T-Bird Rhythm in the fall of 1982.


Meanwhile, Stevie Ray Vaughan had been acting around Texas, at first gear with Triple Threat featuring singer Lou Ann Barton, and then, later on her departure, with drummer Chris Layton and newly recruited bassist Tommy Shannon as Stevie Ray Vaughan & Double Trouble. His appearance at the Montreux Jazz Festival in 1982 light-emitting diode to a recording sign on with Epic Records and the release of his debut album, Lone-Star State Flood, a Top 40 hit, in 1983. He followed it with the level more than successful Couldn't Stand the Weather (1984) and Soul to Soul (1985), each of which went gold inside two age. (All three albums take since gone atomic number 78.)


Stevie Ray Vaughan's success aroused Epic's interest in his brother's lot. The Epic subsidiary company CBS Associated gestural the Fabulous Thunderbirds and issued Tuff Enuff (1986), which spawned a Top Ten individual in the title-track and itself made the Top 20, going gold inside sise months and finally atomic number 78. The same yr, Stevie Ray Vaughan issued Hot Alive, which finally went atomic number 78.


The careers of both brothers subsided soon after. Stevie Ray Vaughan went into rehab, while the Fabulous Thunderbirds' follow-ups to Tuff Enuff, Hot Number (1987) and Brawny Stuff (1989), did not match its commercial success. Jimmie Vaughan amicably parted from the band in June 1990. Stevie Ray Vaughan returned after more than than deuce and a half age with In Step (1989), which became his biggest seller yet, finally going double atomic number 78. The brothers had long planned a duette visualise, and in 1990 they finally base time for it, recording Fellowship Style. But the month before the album's scheduled outlet, Stevie Ray Vaughan was killed in a helicopter crash on August 27, 1990. The album appeared in September and it soared into the Top Ten, marketing over a jillion copies.


Jimmie Vaughan helped oversee posthumous releases of his brother's recordings, such as the two-million-selling Top Ten hit The Sky Is Crying (1991). He launched his possess solo career in the outpouring of 1994 with Strange Pleasure, released by Epic.





Beavis and Butt-Head Heading For The Big Screen?

Housewives star dismisses baby rumours

'Desperate Housewives' star Eva Longoria-Parker has denied rumours that she is pregnant.
According to People magazine, the actress dismissed the speculation at a publicity event for her new movie 'Over Her Dead Body'.
Longoria-Parker said: "No pregnancy, not yet. I've been cooking and eating, cooking and eating. I keep telling everyone that I've gained 10 pounds just being on strike [a reference to the Hollywood writers' strike]."
The actress sparked further rumours when she arrived at a press day with a pink baby blanket wrapped around her.
When asked about the blanket, she said: "I know - If this isn't going to spawn pregnancy rumours, I don't know..."
She continued: "I was freezing, so I had to run down to the gift shop, and they didn't have any wraps. I grabbed this and was like, 'It's so soft, but why is it so small?!' And they said, 'It's for a baby'."
The 'Desperate Housewives' star has spoken about having a family with her basketball player husband Tony Parker in the future.
She said: "I mean, we're not really on a time clock, and going, 'Okay, this month, this day. We're kind of just going, 'We're so happy if we get pregnant, and if we don't we're okay.' We're just letting God decide it."